FCE Listening Practice Test 1 Printable - EngExam.info

FCE Listening Practice Test 1 Printable

Part 3

Speaker 1
It starts as soon as I get home in the early evening. I have a quick snack and then log onto one of my favourite sites. Soon I’ve filled up my basket with all kinds of things – whether I actually need any of them is irrelevant [19] – and then head for the check-out. It’s all so quick and easy. Sometimes I’m watching TV and there’s an ad for a tasty-looking ready meal and I’ll log back on for a minute and order that, too, though when it’s actually delivered it usually turns out to be just junk food and it ends up in the bin.

Speaker 2
I first realised something wasn’t quite right when I kept falling asleep at all hours of the day. Getting up around seven isn’t easy when you’ve been up till two the night before, but somehow I never manage to log off until then [20]. There are just so many great sites, particularly news and sports and also shopping, though I rarely end up buying anything. According to a quiz I did, I do seem to have an addiction, though compared to things like overeating I don’t think it’s a particularly harmful one. I mean, I’m quite fit and – unlike some of my colleagues – I always get to the office on time.

Speaker 3
I always feel I have to be doing something. I just don’t feel right if I’m not working on my fitness level, and the possible long-term, effects of that are beginning to concern me [21]. It also affects my
life right now in various ways. For instance, I always go to bed late and get up early. I also need bigger meals than less active people, and although I always choose food that’s good for me, it can be rather expensive and hard to find in the shops. At least, though, the fact that I go everywhere round town on foot means that I’m never held up by traffic!

Speaker 4
It was on all the time in my parents’ home [22] and it’s like that here in my own flat. Usually the same channel, too, because to tell the truth I’m totally hooked on the same kinds of series [22]. It’s odd in a way, because most people of my generation spend all their time on the Internet, or, in the case of the fitter ones, doing sport every evening and weekend. I know my own lifestyle isn’t particularly healthy, though at least nowadays I’m up reasonably early, unlike back in my student days when I often had trouble getting out of bed before noon.

Speaker 5
It’s always my intention to set off in plenty of time, but somehow there always seems to be something that holds me up [23]. It may be a job that needs finishing off, an email that has to be answered – or even a TV programme that hasn’t quite ended. Then I end up literally running to wherever I’m going, always the last to turn up [23] and also often the most stressed one, too. I’ve tried getting up earlier in the morning so that I have more hours in the day to get everything done, but the lack of sleep just makes me feel tired later on and doesn’t help at all.

Part 4

Interviewer: I have with me Leonie Steiner, who’s had a distinguished career both as a pianist and as a music teacher. Leonie, who was your first-ever piano teacher?
Leonie: There’s a long piano-playing tradition in my family and from a very early age I was keen to start playing. In earlier generations fathers and mothers had taught daughters and sons, but both of mine were working full-time, so from the beginning  they had me taught at home by a tutor [24]. That would have been shortly before my first year at primary school, where I also had lessons.
Interviewer: And when did you actually start giving lessons?
Leonie: In my late teens, by which time I was giving solo performances. Some professional musicians give private classes to make enough to live on, or perhaps to find out whether they would make good teachers, but for me it was never a conscious decision to become a teacher. I’d always enjoyed working with younger students, doing what I could to help them develop as musicians, and without realising it I was becoming a teacher [25]. And ever since then, that – together with performing – is what I’ve done.
Interviewer: And what kind of students do you prefer?
Leonie: I’d say those who perhaps aren’t naturally brilliant, but respond well to intensive teaching and go on to become top performers [26]. More so than those who seem to have been born to play at the highest level, or students who’ve been taught the wrong way and need to get rid of bad musical habits. That can be hard work for both pupil and teacher.
Interviewer: And what do you think of the standard of music education in our schools nowadays?
Leonie: It varies widely. I get the impression there’s been a general shift away from putting pressure on students to achieve exam success to a more skills-based approach, and I think that’s to be welcomed. The media sometimes talk about a shortage of qualified music teachers but I’m not convinced. I’d say there’s a much greater need to invest in new pianos, violins and so on, ensuring they’re top quality [27] so that students really like the sound they make. Because the key to success is making sure pupils enjoy their music lessons, both in terms of playing and singing.
Interviewer: Do school music lessons normally include singing these days?
Leonie: In the majority of cases they still do, and it’s generally popular among pupils, but a lot of them are afraid of doing so in public because of what other people may say or think [28]. That’s a great pity, I think, and if a child wants to sing, I feel strongly that they should always be encouraged to do so.
Interviewer: You’re very highly regarded by your ex-students, many of whom have gone on to have successful careers. What do you think has made you such a good teacher?
Leonie: Well, if that’s true it probably has something to do with the fact I’ve always found it easy to get on with those of a different generation [29], whether they’re at primary school, secondary school or university. In that respect I don’t think I would’ve benefited from actually being trained at college as a music teacher.
Interviewer: Looking back over your career, what big decisions have you had to make?
Leonie: Well, in my late thirties I wondered whether I’d still have the energy needed to keep doing lessons as I got older, but once into my forties I found that wasn’t an issue. Also around then, I was offered the position of assistant head, and I had to think carefully about that because I would’ve been on a much higher salary, but in the end I said ‘no’ [30]. It would also have meant I had less time for doing lessons, and for performing. My response to an offer of work in another country was the same, though I found it much easier to make up my mind about that one. I’ve never regretted staying here.
Interviewer: Thank you Leonie.
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